Walk through a field barefoot.

Today, after swimming in the Dart River, I walked barefoot up a sloped field to get to Dartington College of Arts.  (The shell of what is left there)  I found it very interesting that the field was sporadically covered in thorny plants that hurt my feet.  I thought about the cows that normally graze on this field and how they probably don’t like to eat the thorny plants.  A mechanical lawn mower wouldn’t mind thorny plants.  I wouldn’t have noticed them if I wore boots.  I tip-toed through this field, avoiding prickles where I could—marveling at the way the field was shaping my trek across it. Was the grazed grass my infrastructure, provided by the cows? Are the thorny plants encroaching ‘nature’ or are they arising specifically because of the grazed grass? Barefoot, I weaved my way through this entwined patchwork of land, shaped by human practices yet shaping my path.

I still have a few thorns in my feet as I get ready to sleep.

“It’s what they don’t say” a choreography video trailer.

I am performing in a choreographed piece by Marina Smoulevits at the Ultimate dART Dartington Ma show. “It’s what they don’t say,” utilizes two human sized piles of clothes to explore, through movement, the complexities and banalities of a relationship between two individuals.

Marina writes,

A duet performance.

A man A woman
A mountain A struggle
A dance A smile A skirt Around
A life Two lives
A mirror A sound
A route Two routes
Side by side, Hand in hand, Shoulder to shoulder
Together
Oneself

A shirt A jacket A coat
A burden A worry A drop
A loss A gain A game
Your jacket my shirt

Becoming fully aware of

Together
Oneself

A woman A man

It’s whAt they don’t sAy

I am very excited about this piece. We have been rehearsing rather regularly for about six months now. It’s given me the time and space to think about the role of improvisation, structure and movement and how these aspects relate to painting. Movement and performance have been the unexpected yet fertile areas of study this year at Dartington, especially in considering it in social/environmental contexts.